U.S. born and raised, in 8th grade Mark moved with his family to Florence, Italy, from where his father had originally emigrated to the States. 

Mark finished Junior High and then attended High School in Florence, graduating in ’89.

He then went to University of Pisa and won a scholarship to the Scuola Normale Superiore where he studied History of Art & Architecture & Art Criticism with prof. Paola Barocchi, the curator & commentator of comparative critical work of both editions of Vasari’s Lives of most renowned artists (1550 & 1568).

Mark also attended the History of Archaeology courses of prof. S. Settis at the SNS (until the professor's departure for the Getty Research Center in 1994) focusing on the Panofsky-Gombrich tradition of art history writing. Mark graduated in 1994 from both the University (M.A.) and the Scuola Normale of Pisa with a thesis on the relations between the Italian Futurists and the French Cubists.

During his post graduate course at the Scuola Normale (1994-96), Mark concentrated his research on the History of the Arts & Art Criticism of the XIX and early XX centuries and on European cultural policies of the period, through the 1930’s .

He also worked with prof. R. Vivarelli, historian with expertise in the History of Fascist Italy, doing some research on the Rappel à l’Ordre that followed the conclusion of the Avant-Guard movements in Europe, with regard to the critical political and economic period for the continent.

In 1993 Mark passed the exam of the Region of Tuscany & City of Florence to become a licensed tour guide; in 1998/99 he was called to be part of the examining commission for new guides for the Region.

In his small Municipality of Tavarnelle Val di Pesa, Mark was called twice (in 1997-99 and 2005-09) as a member of the mayor’s cabinet as a Commissioner of Public Education & Culture; and subsequently Personnel and Public Works.

As a Culture Commissioner he promoted several exhibitions and coordinated amongst others the museum policy of 5 municipal museums in the Chianti area just south of Florence and placed particular effort in attaining funds for structural investments (school, library, restauration of Renaissance palaces as exhibition center etc.)

    

                     


The gallo nero, a black rooster, is the seal of the Consorzio Chianti Classic. It represents, only when on the labels of the bottles, the  authenticity of the red wine produced in Tuscany.
 
 


San Donato in Poggio,
street view




 
fototessera_marco 
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